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1.
5-Day Comprehensive Workshop:
2.
3-Day Intensive Workshops:
3.
1-Day Workshop:
1
 |
 |
Bembe for Obatala
Course Description: This comprehensive workshop is an introduction
to the traditions of the Lucumi people of Cuba. The workshop will focus
on the Bembe Tradition and in this way discuss the philosophical roots
of this very rich piece of West African folklore. Exploration of the social
organization, fundamental habits, and attitudes of the Cubans rooted in
West Africa will occur.
Course Objectives: This class is designed to serve as
a podium to explore and discuss the culture of Cuban people. The students
will be able to:
1
|
Discuss the concept of Orisa; |
2
|
Define the various kinds of Bembe celebrations; |
3
|
Explain the social and economical importance of the
Bembe in this tradition; |
4  |
Describe and identify the instruments used in these
celebrations; |
5  |
Demonstrate an understanding of Ifa and the Priesthood
within the Lucumi/Yoruba tradition, and |
6  |
Discuss the organization of a Bembe and define the
hierarchic roles played by various members of the community in these
festivities. |
2
 |
 |
1. Tribute to Female Orisas: Goddesses of the Yoruba
Pantheon
Course Description: This workshop will have an interdisciplinary
focus on the values, patterns, history, and attitudes that create and sustain
cultures. Emphasis is on skills and empathy in intercultural communication
gained from the study of diverse cultures through literature, and theory.
It focuses on the fundamental concepts in the tradition of female Orisas
(goddesses of Yoruba pantheon). Also, its emphasis is on the history and
the attitudes that create and support their traditions. It will be taught
from an African Cuban Lucumi perspective and will touch on the role of women
in general and female Orisas in particular. Music, songs, legends, history,
dance, and literature will be used to cover the class content.
Course Objectives: This class seeks to explain the concept of male
and female energies within the family of Orisa. Participants will be able:
1
|
To identify and analyze the basic elements
of Orisa; |
2
|
To develop a clearer picture of the Orisa “living”
scenario; |
3
|
To discuss the concept of the role of females in our
tradition; |
4  |
To discuss and clarify the impact of Orisa behavior
on human life; |
5  |
To clarify the totem pole role of female Orisa; |
6  |
To discuss and analyze the description of the character
of each female Orisa and how it is represented in:
1  |
Liturgy; |
2  |
Life; |
3  |
Music; and |
4  |
Rhythm |
|
2. Cultural Arts in the Schools: Designing
a Cultural Arts Program in the School System (designed for teachers and
educators)
Course Description: This workshop is designed for teachers
and educators that wish to complement their existing cultural arts program
or initiate a new cultural arts program focusing on Afro-Cuban performing
and carnival arts, i.e., instrument making/playing, music folklore, and
theater arts.
Course Objectives:
1
|
To explore and discuss a pedagogical Afro-Cuban
cultural arts model or program:
a
|
To become familiar with, using a
hands-on approach, the curriculum of Instrument
Making with the following instruments: guiros rattles, claves,
birimbaos, gourd drums, and chekereses; |
b
|
To explore and discuss the Music Folklore curriculum
discussing poems and songs written by African-Americans, Afro-Cuban,
and Nigerian poets and lyricists; also discussed are poetic
forms such as Decimas Cuartetas and Octetas (Cuban forms); and |
c
|
To actively listen to a story; to prepare, and
produce a presentation by assuming the various roles of the
characters to illustrate the efficacy of the Theater Arts components. |
|
3. Social Linguistics with Emphasis on
the Lucumi Language
Course Description: This workshop is designed to introduce
participants to the folklore of the Lucumi people by covering a linguistic
analysis of the Lucumi language in Cuba, language components, and 1st
and 2nd language acquisition.
Course Objectives:
1
|
To explore and discuss the Yoruba and its
Diaspora Traditions in the Western world; and |
2
|
To explore, discuss, and understand the importance
of Song and Rhythm in the Lucumi Folklore. |
4. La Musica Cubana: Introduction to the
Musical Traditions of Cuba
Course Description: This course is designed to introduce
its participants to the tradition of singing among Cubans
Course Objectives:
1
|
To recognize the different rhythmic patterns
used to keep the different forms of rhythms; |
2
|
To define these rhythmic patterns and their relationship
to each instrument; |
3
|
To recognize the Ensemble form and its use; |
4  |
To describe and identify the instruments in the particular
traditional Ensemble form; |
5  |
To demonstrate at least two rhythms using two different
instruments; |
6  |
To sing songs in Oru format, learn a Carnival song
medley, and a few Rumba choruses; and |
7  |
To perform in an Ensemble presentation at the end of
the class. |
3
 |
 |
1. Bembe Course
Description: This workshop is an introduction to the traditions
of the Lucumi people of Cuba. It will focus on the Bembe Tradition with
discussion of the philosophical roots of this very rich piece of West African
Folklore. Exploration of the social organization, fundamental habits, and
attitudes of the Cubans rooted in West Africa will occur.
Course Objectives: This workshop is designed to serve
as a podium to answer and discuss the culture of Cuba. Participants will
be able:
1
|
To discuss the concept of Orisa; |
2
|
To define the various kinds of Bembe celebrations; |
3
|
To explain the social and economical importance of
the Bembe in this tradition; |
4  |
To identify and describe the instruments used in these
celebrations; |
5  |
To demonstrate an understanding of Ifa and the Priesthood
within the Lucumi/Yoruba tradition; and |
6  |
To discuss the organization of a Bembe and define
the hierarchic roles played by various members of the community in
these festivities. |
2. Lyrical Structure of the Cuban Song:
Poetry in Song
Course Description: This workshop is designed to expose and introduce
participants to a few of the most important, and most used, lyrical forms
of the Cuban songwriting tradition.
Course Objective: To explore and compose a minimum of four different
forms of poetic rhythm in the Cuban tradition.
3. Instrument Making
Course Description: This workshop is designed
for a thorough explanation and demonstration with hands-on experience
in making different percussion instruments, such as, rattles, guiros,
claves, birimbaos, drums, and chekeres.
Course Objectives: Participants will be able:
1
|
To produce one or more of the above instruments; |
2
|
To play and perform, in group; and |
3
|
To understand and appreciate the processes involved
in instrument making for the above listed instruments. |
4. Cuban Carnival/Prop Art
Course Description: This workshop is designed to allow
the participants to explore the lore and make-up of Carnival
Course Objectives: Attendees will be able to make and
design sample costumes and props used in Carnival.
5. Afro-Cuban Folkloric
Tradition Through Rhythm and Song
Course Description: This workshop is
designed to introduce the participant to four or more idioms of Cuban
folkloric traditions in its social and historical context.
Course Objectives:
1
|
To identify and discuss the 27 Sacred
Rhythms and Chants of the Gods of the Yoruba People as per the Cuban
experience; |
2
|
To discuss Rumba and Carnival rhythms; and |
3
|
To sing and participate in songs. |
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